Javier Bardem

Javier Bardem, “Javier Bardem”peut already be an Oscar to his name, but the Academy wanted to call his name, this time for his work in the film” Biutiful. “While the fifth place was planned to go to the veteran actor Robert Duvall for his performance in “Get Low” strong word of mouth (including a campaign by a friend, “Eat Pray Love” co-star Julia Roberts) helped give the final push for appointment Oscar.
Javier Bardem has an unusual souvenir from the first time he met his idol Al Pacino – he took a picture of his own face excited.

The movie legend was impressed by Bardem’s role in the 2000’s “Before Night Falls” and contacted the director Julian Schnabel for a meeting with the Spanish star, and Bardem admits he was overwhelmed by the prospect of speaking to Pacino, reports imdb.com.

He caught the moment before the meeting at the camera, so he would always remember his excitement.

“I remember waiting in the restaurant in Toronto for him to arrive. And Julian called to say that Al would be there in two minutes, “he said.

“I ran into the bathroom and took a picture of my face, just to get that face forever. And I looked like a teenager going to meet the Jonas Brothers. Like, “aaaahhhh! And panting. Of course, he came in was really nice and I could not even pronunciate words … I have met many times since. And it’s always the same, any he added.

“Javier Bardem,”which was nominated for Best Actor for” Biutiful “, said he was” very honored “by the appointment, especially since it is an international player.

“It’s really a great honor to be nominated performance in non-English speaking on behalf of all my colleagues in Spain and I want to show my gratitude to the Academy for support and recognition of this appointment for the Biutiful film, “he said in an official statement.

Fellow Aussie actress Nicole Kidman abroad said the “extraordinary journey”; she stuck with John Cameron Mitchell’s “Rabbit Hole.”

“This appointment reflects the entire heart and soul that these people put into it, and I can not thank them enough,” she said in a statement.

Meanwhile, Best Supporting Actor nominee Mark Ruffalo made his nomination for “The Kids Are All Right” in perspective by talking with the Wall Street Journal.

“One thing I know is I’m doing this for 20 years, and it took me 20 to get here,” he said. “In another 20, I am dead. I was really trying to enjoy it and soak it and really grateful.”

Dogtooth

Dogtooth, The 20 three children – two daughters (Mary and Aggeliki Papoulia Tsoni) and son (Hristos Passalis) – have no names, but have blind enthusiasm for the way they have been conditioned to live. Nobody blinks an eye when the mother announces that she will give birth to a baby, maybe two, and a dog. Why would not she?

“Dogtooth”plantes a foot in both worlds surreal and banal, with unpredictable behavior occurs in a context of apparent domestic placidity. At some point, we get used to strange rites that populate this household – even at their most cruel and bizarre, with sudden bursts of violence disrupts the normal manufactured. Thimios Bakatakis frames of each photograph rigid static action against the bare walls mostly from home, lull us into a false sense of security similar to what the father and mother must get so carefully control the lives of their children.

But the illusion is bound to disintegrate, and the father he brings upon himself by introducing Christina (Anna Kalaitzidou), a security guard to satisfy his sexual desires of the son in the family. Sex scenes in the film are without blinking uncomfortable with the sex itself conducted a series of passionate, stiff motions.

For the son, which seems to be enough, but Christina pushes her influence beyond her girls, and sexual behavior incongruous that the results (licking of body parts, erogenous or not) are just the beginning. VHS tapes find their way into the house, which leads to hilarious attempts incorrectly cite Rocky and Jaws, and culminating in a riveting scene, move from Jennifer Beals Flashdance. This sequence illustrates the remarkably broad range of problems that the universe closely monitored to identify these people, from the superficial (the effect of films) to the fundamental

S’écroule”’Dogtooth a small world, the third feature from director Giorgos Lanthimos Greek, and a film that is filled with details both delightful and disturbing. A lot to do business (Christos Stergioglou) and his submissive wife (Michele Valley) create a home from another world for their three children are governed by arbitrary conceptions of law and language. Here the word “zombie”, a small flower, cats are predators and vicious world beyond the confines of the driveway is completely off-limits, including death.