The Replacements

February 20, 2011 by Post Team 

The Replacements, The Replacements (sometimes colloquially called the floor) is an American punk rock band formed in Minneapolis, Minnesota in 1979, and are considered pioneers of alternative rock. The group consisted of guitarist and vocalist Paul Westerberg, guitarist Bob Stinson, bassist Tommy Stinson and drummer Chris Mars for most of their careers. After several critically acclaimed albums, including Let It Be and Tim, Bob Stinson was fired in 1986 and the band went through several changes of line-up, Slim Dunlap joined as lead guitarist and Steve Foley replaced Chris March in 1990. Towards the end of the band’s career, Westerberg exerted more control over their creative output. The group disbanded in 1991, with members ultimately the pursuit of various projects. The Replacements never experienced significant commercial success, but has influenced a variety of alternative rock acts.

Music by The Replacements “was influenced by classic rock artists such as faces, Big Star, Badfinger and The Beatles and punk rock bands like The Clash and The Jam. Unlike many of their contemporaries metro replacements played “heart-on-the-sleeve”, combining rock songs Westerberg’s “Howl raw-throated young,” with lyrics of self-mockery. The Replacements were a notoriously erratic live act, often performing under the influence of alcohol and looting of their instruments. They credit the Twin Cities punk band the founder’s suicide bombers as their inspiration to become rock musicians

History of The Replacements “began in Minneapolis in 1978 when one of nineteen years, Bob Stinson gave his brother Tommy Stinson eleven bass guitar to keep him in the streets. That year Bob met Chris Mars, a dropout. With Mars playing the guitar and then moving on drums, the trio began covering songs from Aerosmith, Ted Nugent and Yes without a singer. One day, Paul Westerberg, a janitor in the office of U.S. Senator David Durenberger, was walking home from work, he heard a band playing in the Stinson ‘house. After being impressed by the performance of the group, Westerberg listened regularly after work. March Westerberg knew and invited him to jam; Westerberg did not know in March drummed Dogbreath.

Dogbreath auditioned several singers, including a hippie who read lyrics off a sheet. The group finally found a singer, but wanted to be Westerberg and the singer took him aside one day to say: “The group does not love you.” Singer soon quit and Westerberg replaced. Before Westerberg joined the group Dogbreath often drank and took various medications during rehearsals, playing songs like an afterthought. In contrast with the rest of the band, Westerberg appeared relatively disciplined during rehearsals in clean clothes and insisted on the practice of songs until he was happy with them.

After various members of the group discovered the first generation of British punk bands like The Clash, The Jam, The Damned and The Buzzccks, Dogbreath changed their name to the barriers and played a drunken performance without Tommy Stinson at a concert hall the church in June 1980. After being banished from the place of disruptive behavior, they changed their name to the Replacements. In a brief unpublished, Mars later explained the choice of band name. “As perhaps the principal Act does not show, and instead of the crowd had to settle for a good dose of Dirtbag [...] it seemed we just sit right with us, which accurately describes our collective” secondary “social esteem.”

The group soon recorded a demo tape of four songs in the basement of Mars, and handed it to Peter Jesperson May 1980. Jesperson was the director of Folkjokeopus Oar, a punk rock record store in Minneapolis, and also founded Twin / Tone Records with a local engineer named Paul Stark. Westerberg originally surrendered the tape to see if the group could occur in Longhorn, a place where local disc maneuvered Jesperson. It spied on the desktop as Jesperson Jesperson put in the band, but to flee when the first song, “grew up in the city,” played. Jesperson played the whole song through, again and again. “If I n ‘ve never had a magical moment in my life, he was popping that tape, “said Jesperson,” I did not even pass the first song before I thought my head would explode. ”

Jesperson Westerberg called the next day, asking, “So, do you want a single or album?” With the agreement of Stark and the rest of the band, signed replacements Records Twin / Tone 1980. Jesperson support of the band was well received, and they asked him to be their manager after their second show. Later this summer, the band played several concerts at the club scene almost empty when they finished a song, besides the low hum of conversation; the group heard the whistle and applause Jesperson fast. “His enthusiasm kept us going at times, certainly,” Mars said later, “His vision, his faith in the band has been a binding force.” [11

Green Day singer-guitarist Billie Joe Armstrong recalled seeing The Replacements live after the release of pleasure to meet: "It was amazing, it changed my whole life if it were not for that, I could have spent my time playing in the bands of bad speed-metal. "Armstrong second band Pinhead Gunpowder cover" Achin 'to be "on their EP in 1999 called Shoot The Moon.

Tommy Womack, singer / songwriter from Nashville, sings a song for most biographical called "The Replacements" tracing the history and histrionics of the band on his 2002 CD Circus City.

The Goo Goo Dolls singer / guitarist Johnny Rzeznik has said that Paul Westerberg has been and will always be his greatest inspiration. The Goo Goo Dolls also toured in support of the group's last tour. They also co-wrote the song We Are The Normal with Paul for their 1993 album Superstar Car Washington the group They Might Be Giants wrote a song in tribute to The Replacements, entitled "We're the Replacements."

[Source: via wikipedia and various sources]

[Source: image via WWW.MTV.COM]

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