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Man On A Ledge

March 2, 2012 by · Comments Off on Man On A Ledge 

Man On A Ledge, Determined to prove his innocence, escaped felon Nick Cassidy (Sam Worthington) takes his desperation to new heights. Literally.

Having been convicted for stealing a $40 million diamond from tycoon David Englander (a steely Ed Harris), Nick clambers onto the ledge of a high-rise hotel in Manhattan and threatens to jump unless his demands are met.

Brought in to negotiate with Nick is Lydia Mercer (Elizabeth Banks), a disgraced cop set on averting Nick’s suicide mission. Unbeknownst to Mercer and the NYPD, Nick’s foolhardy stunt contains ulterior motives, as his brother Joey Cassidy (Jamie Bell) and Joey’s girlfriend Angie (Genesis Rodriguez) use the distraction to break into Englander’s office across the street to steal the supposedly stolen diamond.

The problem with having your main character teeter on a ridge means that much of the film is spent on a stationary setting, and the biggest dilemma is the audience has to grapple with is “To jump or not to jump?” and after about five aborted attempts, that question gets old. Sam Worthington may have done all right in action blockbusters like Avatar and Terminator: Salvation, but he lacks the dramatic gravitas needed to keep the audience riveted without guns and whistles.

Thankfully, little brother Joey has a more exciting day, as he and his girlfriend have to break into a high-security vault with their amateur heist skills, which lead to much amusement and tension as the couple squabble and bicker their way to the diamond and making up for any logical inconsistencies in having nonprofessional burglars break into a millionaire’s lair.

Elizabeth Banks is likeable as Lydia Mercer, but her character (like many others in the movie) suffers from a lack of believable back story and development. Ed Harris is also wasted as villain Englander, who seems to be your stereotypical wealthy tyrant (although having Ed Harris as your villain is enough to intimidate anyone).

Man On A Ledge

January 28, 2012 by · Comments Off on Man On A Ledge 

Man On A Ledge, If your impressions about the new action thriller “Man on a Ledge” are based on the film’s very-literal title, you’re very likely correct in assuming to know a decent amount about the film before entering the theater. “Ledge” is the story of ex-cop and fugitive Nick Cassidy (Sam Worthington), whose seemingly obvious suicidal plan to jump off a building is slowly revealed to be something much more.

Thus far, the critical reception for the film is very different from initial audience reactions. The Rotten Tomatoes Tomatometer has “Ledge” at a 22 percent fresh rating from critics, versus a 65 percent fresh audience rating.

The Premise
“It’s an arresting image, Sam Worthington out on that 40th-story ledge. He’s a fairly tough-looking guy, after all, and we know him best as the tooth-gritting blockbuster hero of ‘Avatar’ and ‘Clash of the Titans,’ so it’s head-spinning to see the man’s beefy figure as a speck hovering so precariously close to New York’s infinite sky. The camera swirls around Worthington’s disgraced former cop Nick Cassidy, inching out past that thin strip of architecture, then back in. What if he trips, or jumps? For a while, anything seems possible, and it’s both exhilarating and terrifying. Then the wool comes off, and it’s clear that director Asger Leth and screenwriter Pablo Fenjves have ambitions considerably less grand than their protagonist’s perch. Cassidy’s ledge game — with all the studio-unfriendly moral ambiguities it entails — is just a con, a photo op for the crowds, and Nick’s apparent desire to exit the material world is a front. What he truly, passionately wants to do is steal some jewelry.” — Andrew Lapin, NPR

The Impact of Practical Effect
“I, on the other hand, was gripping anything in reach, palms dripping, thinking I might not have survived the effects had they been 3-D. Though there were other production sites, serious time was spent actually shooting on that 14-inch ledge wrapping the 21st floor of the Roosevelt Hotel to create the vicarious sensation of being there. Which worked frighteningly well, at least for the vertiginous among us. Oh, that the actual human dynamics of the unfolding story could have been as dramatic, as on the edge as that ledge.” — Betsy Sharkey, Los Angeles Times

The Direction
“Mr. Leth, the son of renowned Danish documentarian Jorgen Leth, has directed only one other film, ‘Ghosts of Cité Soleil,’ a highly stylized doc that revealed a soul yearning to breathe free of nonfiction. He has an instinct for weaving sturdy narrative fabric out of intersecting plot lines. … Amid the hoopla, Mr. Leth takes sobering assessment of media-circuses and mob mentalities: The people down below taking cellphone pictures, the ones yelling ‘Jump!’; the callous nature of cops for whom it’s all routine. There’s the occasional goofy grace note: Kyra Sedgwick, playing a voracious and obviously Anglo television reporter named Suzie Morales, rolls the ‘R’ in her surname as she signs off, just in case someone missed the point (we’ve all heard it). In another scene, Mr. Leth takes such pains to strip the shapely Ms. Rodriguez down to her underwear that audiences, who may well be leering, will also be laughing at how obvious it is.” — John Anderson, Wall Street Journal

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