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Real Housewives Of Dc

August 5, 2010 by Post Team 

Real Housewives Of DcReal Housewives Of Dc, When it comes to an iteration of perpetually hatching Bravo Real Housewives franchise, there is no such thing as new. Sure, the characters are different, and locale adds a touch of flavor imperceptible. However, the chassis is the same: bland, scripted reality women who act out their lives in many ways unflattering. Despite knowing this, I hoped that the latest version, The Real Housewives of DC, for an improvement. Perhaps “better” is not the right word because anyone who declares that an issue is superior to any other is fooling himself, “but I thought that if any city can offer a markedly different tone and feel to the family structure Washington, DC, would do so.

The producers apparently thought the same thing. Among the first lines of voice over we hear is: “Flaunting money does not impress people, the currency here is the proximity to power.” It is a potentially electrifying culture have made graft housewives format, which is so deeply rooted in conspicuous consumption and women who are in their obsessive pursuit of wealth, opulence, and the projection of the same. The assault hair pulling is fueling the drama in this season of The Real Housewives of New Jersey resulted from a discussion in which a cast member told the other home was in foreclosure. Zing. In the universe of housewives, there are some lines you do not cross; attack loved ones of women and errors of clothing, but the arrangement of your mortgage is out of bounds.

But at the same time a look at the energy economy based on DC could have interesting results, the Beltway bona fide divas do not get close to this spectacle in housewives with a haute couture gown of hazardous materials. So we are left with the lowest-hanging cherry blossoms, women without the proximity to power, either physically (most of the cast members live in outlying suburbs of Virginia) or personal (closest brush a woman is a picture with Barack Obama long before his presidential run).

The only exception is Ommanney Cat, whose husband, Carlos, is a White House photographer (and a contributor to Newsweek). It is true that she has never met its own president, but only one degree of separation. However, the producers try to use to flesh out his pride ourselves as currency. Jack offends guests at a dinner where he praises George W. Bush and denigrates Obama, mostly because the ex RSVP’d to the wedding while the second did not. The question, of course, is not whether the cat is a valid assessment, but rather the intention: there is enmity legitimate, or is that just trying to squeeze the jealousy of other women? These are the types of fumes story that makes engines run Housewives, but unfortunately, the name-dropping commanders in chief does not make it more convincing. Especially considering Jack and Charles would have divided that is, the light touch of style DC insiders be completely absent in the second season.

However, there is a masterstroke that are in The Real Housewives of DC, and this is the treatment of the demonstration of Michaele Salahi, best known for walking uninvited into a state dinner at White House last November. The firestorm over the gate-crashers-Michaele and her husband, Tariq, was excessive to begin with, and when it was revealed that the whole episode was being filmed for possible inclusion in a reality show, actually found the whole thing and not more less odious. We understand that the work of a reality-show star is doing outrageous things, not in a sound studio, but in real life. We understand that people are going through exhaustive hearing and application processes for the privilege of having that job. Is there a better way to audition for the job of a person who does things in half-crazy silvestre’n’ in the chamber, which, you know, doing things in the middle silvestre’n'-crazy? Michael premeditation in carrying out a plan to get a job that atrocious? I say no, but a Gallup poll and called Salahis the political losers 2009 (beating to Rep. Joe Wilson and Governor Mark Sanford), so I’m alone in that.

Instead of letting the public sentiment toward the Salahis of flavors, Bravo has decided to launch Michaele as the villain of the franchise. In all the housewives shows, there hung weaker rivalries of the pins, and DC seem especially apocryphal. Mary, married mother of five with a biometric lock on his locker, says she knows Michaele long time, and without going into details or even a little, says she would feel strange Michaele take a party in his honor, before, of course, for the invitation anyway. Without explaining the origin of the disagreements, almost all the characters greeted the mention of Michael with a roll of the eyes and a sarcastic comment about his thin body. Of course, despite Michaele gets the editing, too. One of his first lines of dialogue is, “When people first see me, they think, ‘God, no substance to it.’” The producers have taken the most responsibility and turned it into a strength, not only by including the tip of the state of the dinner and its impact on the show, but also through the use of narrative to show that, yes, maybe you have a TV, but they can not stand Michaele more than you.


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