Oliver Stone Edwarad Snowden
June 3, 2014 by staff
Oliver Stone Edwarad Snowden, He has tackled the Kennedy assassination and the Watergate break-in, the Vietnam conflict and the Bush administration’s “war on terror”. Now the Oscar-winning director Oliver Stone is set to whip up fresh controversy with his adaptation of The Snowden Files, an account of the ongoing NSA scandal written by the Guardian journalist Luke Harding.
Stone’s thriller will focus on the experiences of the American whistleblower Edward Snowden, a contractor at the National Security Agency who leaked thousands of classified documents to the former Guardian columnist Glenn Greenwald back in June 2013. The film is to be produced by Stone’s regular business partner Moritz Borman, with Harding and other Guardian journalists serving as production and story consultants.
“This is one of the greatest stories of our time,” Stone, 67, said in a statement. “A real challenge. I’m glad to have the Guardian working with us.” Stone’s previous films include Platoon, JFK and W. The director has also made documentaries on Fidel Castro and Hugo Chavez, together with a 2012 TV series, Oliver Stone’s Untold History of the United States.
Snowden’s revelations, first reported in the Guardian, lifted the lid on a culture of mass government surveillance, sparked a global furore and forced the Obama administration onto the back foot. Secretary of state John Kerry later conceded that the NSA’s programme had “reached too far” and should be curtailed. Snowden’s fate, however, remains in the balance. The former NSA employee has been granted temporary asylum in Russia but faces a 30-year prison sentence if he returns to the US.
Published earlier this year, The Snowden Files: The Inside Story of the World’s Most Wanted Man charts the political awakening of the twentysomething Snowden, a committed Republican who found his libertarian values increasingly at odds with his government’s surveillance programme. A review in the New York Times hailed Harding’s book as “a fast-paced, almost novelistic narrative that is part bildungsroman and part cinematic thriller.”
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