Nicki Minaj Grammys 2012
February 14, 2012 by staff
Nicki Minaj Grammys 2012,
Obviously there were a bunch of actual winners at the 54th annualGrammy Awards and dozens of artists have shiny, new gramophone-shaped statuettes to prove it. However, between bold, superstar-affirming appearances and misguided performance concepts, the night as a whole was a big triumph – and a major fail – for only a select few. Check out the highs and lows of this year’s show.
Months after getting her vocal chords fixed up at Massachusetts General Hospital, the songstress slayed the crowd with a straightforward version of “Rolling in the Deep” that proved her vocal might was intact. Oh, and she swept all of her categories, rolling home with six awards, including Song of the Year, Record of the Year, and Album of the Year.
The songstress inadvertently stole the show with her tear-jerking tribute to the late Whitney Houston. Belting an abbreviated but still stunning version of Houston’s signature show-stopper, “I Will Always Love You,” Hudson gave her musical idol a powerful tribute, elegant in its simplicity, that got the audience on its feet and reminded fans of the scope of the loss.
The Foo Fighters not only raked in the Grammy gold, taking home five awards, but they also took the stage three times throughout the night, rocking twice from the outdoor, Grammy cage thing where all the dance music artists performed, and helping to close the show with a rock-god, riff-packed finale alongside Paul McCartney, Bruce Springsteen, and Bob Seger. Frontman Dave Grohl even gave us a little controversy when he was cut off by that “wrap it up” awards show music after he suggested that actually playing instruments – versus, say, pressing a button marked “Auto-Tune” in a tricked-out studio – is what music is all about.
Actually, both the Recording Academy and country great Glen Campbell won by letting the singer, who has been diagnosed with Alzheimer’s, perform on the big stage. Teaming with newbies the Band Perry and hitmaker Blake Shelton, Campbell was able to engage in a tribute that honored his legacy and allowed him to do what he loves. It was a beautiful moment that demonstrates the ethos of Bruce Springsteen’s show-opening song and the RIAA president Neil Portnow’s mid-show speech: “We Take Care of Our Own.”
The hip-hop starlet’s performance checked off all the “We don’t get it” boxes. The elaborate exorcism-themed performance, which she alluded to when she arrived on the red carpet with a fellow dressed as a clergyman, came off as overproduced. After Minaj “confessed” (screamed at, really) to the priest on stage, the screen cut to a way-too-long video of Minaj as her possessed alter ego Roman Zolanski, looking like she’s about to chomp into a tube of lipstick. When the camera returned to the stage, Minaj debuted her new song “Roman’s Holiday,” rapping in restraints on the cathedral-themed set above dancers backing it up monk robes. Three minutes later, after a choir sang “O Come All Ye Faithful” and Minaj was hoisted into the air after her pretend mental breakdown, most of the audience just seemed thankful to have survived … whatever that was.
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