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Fernanda Rocha

December 10, 2010 by Post Team 

Fernanda Rocha, Because they often lack courage bringing grins loafers and unfettered reviews, the opposite side.

There is one art that I appreciate the speeches and the interview is an art that I’m exercising with new technologies while maintaining the warmth of the freedom of being. Who accepts the game and I thank you discard data that do not accept it, no power anything.

We returned to the back of Teresa Rita Lopes, who recorded this amazing Amalia “With this vote, which in due time, David Ferreira, a nephew of Valentim de Carvalho restored, investigation, interrogated and put out a problem here is not only more ambitious as the best voice and the height of Portugal: Amalia!

My love of fate, in particular, and of Portuguese music is, like Teresa Rita Lopes wrote, “a faceless love / love without a home.” That there is always whatever the form, the state or place they want. It is a love without quarter.

Of course, there will always taste – I like Amalia – but still got the columnists, more or less disguised. And there are times that those who sympathize at least, surprising and he admitted.

But this “preferênciazinha that” taking the heart “is the salt of any text, without ever becoming too salty and sprinkle a text, inconsistent, unjustifiable.

I felt freedom in Hardmusica and accepted. I share it with all the readers who follow and read and take the freedom to disseminate my writings on facebook or to comment on blogs and websites.

That is not the verve and the fate of the performing arts in general.

Returning to the fate that is my passion – I love to hear Camané – remember what you told me an old man – none of which have decent seat in the Council of the Museum of Fado – but the gentleman I said that one of the best writers of fado João Linhares Barbosa cultivated a heteronymous I often talk to himself, just to pass means that the singer is inert, despite the bad language abounds.

Already written and I repeat all the mistakes that have been pouring Awards Amalia – recent gala in the Coliseum was empty – they brought the spirit of healthy debate and can become a reference in particular with the opening music of others.

There was no comment on that, last year, the perplexity that was not Camané win the best album with “Where me,” beaten by Joan Almond & Ensemble Wed This year, Joana Costa has not been a happy night at the Coliseum, but will hear more calm in the Guarani, Puerto, or listen to the album that Manuel wrote Halpern reveal an astonishing maturity, leads us to wonder if they go further.

But there are big victories and recognition. Antonio Rocha, Fernanda Maria Beatriz da Conceição – so that way you miss the ceremony, two years ago – or Ada de Castro, who was the lead singer of the night at the gala this year.

It is to draw attention to other areas of the state border, such as delivery of this year, premiums and Joana Carneiro Bernardo Sassetti.

And there’s a universe of possibilities that the jury which proved almost always balanced, you should discuss each position, the decision and choice necessarily.

Because this debate is absent from the bride, an area that has suddenly seized the scholars, leaving no space for academic research, but not dedicated, that creates the taste and cultivated the art of knowing, or the participation of journalists roundtables and debates without pomp, as in S. Louis last year, for ten years without Amalia.

This ceremony that when he uttered the gold medal of the city instead of four for the distinguished and dignified Set Guitars Nery Raul, there was only one. They were four, although he already Julio Gomez.

In this aspect of the Fado Museum could have more fun and educational, which, incidentally, showed some sessions with names like Joseph Pracana Daniel Gouveia – “When all is sung fado” I highly recommend the book – and Jose Manuel Osorio.

A good example was the presentation of three Dawn CD catalogs with Nuno Lopes, Rui Vieira Nery and Nuno Siqueira, the latter a real surprise for me.

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